Resonance
Each resonance leaves its own figure in the sand.
- Chladni figures: u = cos nπx cos mπy + cos mπx cos nπy
- 1,048,576 grains find the nodal lines; f = (196/34)(n² + m²) Hz
- Sand on blackened steel


Mathematics, demonstrated.
A proof is a trial print. A proof is also a demonstration.
Each PROOFS edition begins as exact mathematics written in JavaScript, then crosses into other mediums. The same equations are heard as sound, pictured as an imagined object, set as an editorial print and cut into a film. The six pieces also run as live interactive code.
The code render supplies the reference for each generated object image. Sand on steel, marble and brass, cloisonné, engraved crystal, travertine and a brass harmonic machine give the equations different material settings. These objects have not been fabricated.
Each resonance leaves its own figure in the sand.


Order that never repeats.


Infinity, held in a circle.


Two paths, a billionth apart.


How pattern begins.


Any closed curve is a sum of circles.



Vector and generated image editions exploring shared subjects, live typography and the AD5 identity.

A patterned couch and car share a visual language of geometric order and organic form.

A song drawn as planes of light, with pitch, stereo position and level shaping the picture.